The easiest way to reduce plosives, at a recording level, is by using a pop filter. Pop Filtersīefore fixing plosives, it's important to reduce the amount of plosives that you record.
When bursts of air hit your microphone, they cause sharp transients to appear in your recorded audio file. Air flow is stopped by the vocalist's lips, teeth, or tongue, and then released with a huge amount of force. Plosives are created by the large amount of air that's pushed out of the talent's mouth all at once. Sibilance can result from your talent pronouncing S and T sounds, creating large, high-end transients. Plosives can result from your talent pronouncing B, P, and T sounds, creating large, low-end transients.
The two main differences are how plosive sounds and sibilant sounds appear in a recording. If you've recorded vocals before, you've likely discovered that a vocal recording sounds much different than the live performance.
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